Classé par  
Api
Jour Week-end Semaine 2 Semaines Mois
525 20.00 35.00 45.00 75.00 100.00
Originally released in the 70's, the API 525 is a "feedback" type compressor, such as the 1176 and 660, etc. An input (threshold) control and output (make-up gain) control are provided. An additional "Ceiling" fine tune function modifies threshold and make-up gain for precise changes in compression without changes in output. A compression/limit switch sets ratio at either 2:1 or 20:1. Attack time is as fast as 15u/s. Four auto release modes are offered via two switches, 0.1s, 0.5s, 1.5s, & 2.0s. A De-Ess function inserts an inverse vocal energy curve filter in the detector for effective sibilance/p-pop reduction. The 525 is an identical re-issue of one of the most popular API products ever.
 
Api
Jour Week-end Semaine 2 Semaines Mois
527 20.00 35.00 45.00 75.00 100.00
The API 527 takes it's place alongside the family of API VCA based compressors, the 225L and the 2500 Stereo Bus Compressor. Anyone familiar with those units will immediately be at home with the 527. Features common to the line like "feed forward" (NEW) and "feed back" (OLD) gain reduction methods selectable on the front panel, provide a choice of "that old way", or "the new way" of compression, for the highest level of flexibility in signal gain control. The "old way" or Feed-Back method is what most of the classic compressors used for the gain control circuit. The "new way" gain reduction is more typical of the newer VCA type compressors that rely on RMS detectors for the gain control voltage.

There is a "SOFT"/"HARD" switch for an "over-easy" type compression resulting in a ver...
 
Avalon
Jour Week-end Semaine 2 Semaines Mois
VT-737SP 60.00 125.00 175.00 250.00 350.00
Préamplificateur mono combiné, haute performance. Préamplificateur à lampes, circuits discrets Classe A, égalisateur paramétrique à 4 bandes, entrées microphone, ligne et instrument direct, entrées et sorties balancées, Indicateur VU gros format. Mesure 2U.
 
Chandler
Jour Week-end Semaine 2 Semaines Mois
LITTLE DEVIL COMPRESSOR 20.00 35.00 45.00 75.00 100.00
With all discrete circuits, transformer balanced everything, and the American hand made quality you expect from Chandler the Devils combine Chandler?s best designs with the hottest designs from the past. FET Compressor using concepts from both the Chandler Germanium Compressor and the 2264 Comp. Curve selection with zener and germanium diode knees.Will run without problem on any 500 series rack and PSU...from crappy to kick butt!
 
Empirical Labs
Jour Week-end Semaine 2 Semaines Mois
EL8 Distressor 40.00 80.00 100.00 165.00 250.00
Unlike most analog compressor/limiters the Distressor is a digitally controlled audio device and actually incorporates several products into one by utilizing digital controls to switch totally different circuits in and out. Years of beta testing and redesign went into the Distressor as will be the case with all Empirical Labs products.
 
Empirical Labs
Jour Week-end Semaine 2 Semaines Mois
EL8X Distressor 45.00 90.00 110.00 170.00 260.00
The original concept of the "British Mode" came from an unusual setting on the classic UREI LN1176 limiter. The unit was designed to have only four ratios, each ratio being engaged by selecting one of four buttons. However, as early as 1980 (or before), renegade recording engineers, always on the lookout for something a little more "over the top", found that you could make all four buttons stay "in" if you pressed them just right. What resulted was a very, very aggressive sound that had some elements of the units 20:1 ratio, but with an unusual knee and new envelope shape. Somewhere along the line, someone called it a "British Mode" and the name has stuck. It is also called "all buttons in" and some other intuitive names.
 
Empirical Labs
Jour Week-end Semaine 2 Semaines Mois
Mike-E 40.00 80.00 100.00 160.00 250.00
The Mike-E™ from Empirical Labs is a modern digitally controlled Microphone Preamplifier chocked with unusual features to warm and soften the source, along with an excellent compressor/limiter.Mike-E offers an incredible performance transformer-coupled mic preamp, whose noise floor is far below any microphone’s self noise.The one-of-a-kind ‘CompSat’ section is an uncompromising compressor and saturator circuit that offers versatile ‘coloring’, and classic knee compression.
 
Millennia
Jour Week-end Semaine 2 Semaines Mois
STT-1 75.00 150.00 260.00 350.00 485.00
The STT-1 Origin is a fantastic recording channel that can be amazingly versatile. This level of gear requires a substantial investment, but in this case the price is appropriate and it's an investment in something that won't become obsolete and lose half its value before you get it home. Nick Batzdorf, Editor, Recording Magazine Review 2001
 
Slate Digital / Pro Audio / Media Technology
Jour Week-end Semaine 2 Semaines Mois
Slate Pro Audio Dragon 40.00 80.00 100.00 160.00 245.00
The new SLATE PRO AUDIO DRAGON is unlike any dynamic audio processor you've heard before. Simply put, the DRAGON was created to be the most versatile compressor, limiter, and sound shaping tool that the pro audio industry has ever seen.

The Concept

The DRAGON starts with a classic FET compressor circuit, reminiscent of vintage units from the 60's and 70's. But the SLATE PRO AUDIO engineers enhanced the circuitry of the unit with a mastering grade signal path, including a CLASS A output section based around a custom-made transformer. The result is a compression quality that is rich and warm, but is also capable of sharp and aggressive tones. But this is only the start of what the DRAGON can do.

Add Some Character

The DRAGON includes three character settin...
 
Warm Audio
Jour Week-end Semaine 2 Semaines Mois
WA-­2A Opto Compressor 35.00 50.00 80.00 100.00 125.00
A Classic Compressor, Reincarnated
Warm Audio's WA-2A set its target high: the most iconic tube compressor in history. How does Warm do it? Through economies of scale, mostly. They don't cut corners on components (the WA-2A employs a custom optical photocell and genuine US-made Cinemag transformers), but they do order parts and build in quantity, which keeps costs down. Like the classic unit, the WA-2A gives you a completely discrete signal path and the same arrangement of controls. And yes, it replicates the original's coveted warm sound and forgiving nature. Elevate your studio to the next level - with the Warm Audio WA-2A.

Warm Audio WA-2A at a Glance:
What can the WA-2A do for you?
Top-tier performance - and a stunning value
What can the WA-2A do for you?
E...
 
Warm Audio
Jour Week-end Semaine 2 Semaines Mois
WA76 FET compressor 25.00 40.00 55.00 75.00 90.00
Amazing Re-creation of a Classic
Warm Audio's WA76 set its target high: the most iconic solid-state limiting amplifier in history. How does Warm do it? Through economies of scale, mostly. They don't cut corners on components (the WA76 employs genuine US-made Cinemag transformers), but they do order parts and build in quantity, which keeps costs down. Like the classic unit, the WA76 gives you a completely discrete signal path and the same arrangement of controls. And yes, it replicates the original's explosive performance when all the ratio buttons are pressed. Elevate your studio to the next level - with the Warm Audio WA76.

Warm Audio WA76 Limiting Amplifier at a Glance:
What can the WA76 do for you?
Top-tier performance - and a stunning value
What can the WA76 do...
 
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