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Rackmountable Digital Mixer for Live, Studio and Installation
Qu-16 takes compact digital mixing to a new level with innovative design and exceptional functionality combining to create a superb professional mixing experience. Bristling with all the features you'd expect from a top of the range digital console and incorporating technologies pioneered on our GLD and iLive digital mixing systems, Qu-16 has the power and pedigree to deliver class-leading audio performance. Whether you're switching from analogue or updating your digital desk, it's time to experience the new digital with Qu-16.
.16 Mono Inputs (TRS + XLR)
.3 Stereo Inputs (TRS)
.4 Stereo FX Returns
.16 Busses
.12 Mix Outputs (LR, Mono Mix 1-4, Stereo Mix 1-3)
.4 FX Engines
.AES Digital Out
.19...
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Ever since the "dawn of digital" audio engineers the world over have had a love-hate relationship with their consoles. The new BEHRINGER X32 digital mixing console lets you focus on your event, instead of navigating a vast sea of knobs, buttons and menus like most other live digital mixers. X32 is intuitive and powerful with 40 processing channels and 25 mix buses, all equipped with serious signal processing (dynamics, EQ and inserts), which can be configured quickly to meet the demands of virtually any gig, large or small.
Ready for your input
Use any combination of the local 32 console mic inputs or the networked digital snake inputs on stage-their audiophile quality programmable preamps always ensure full control, purity and impeccable dynamics. The dedicated channel strip ...
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The Focusrite Control 2802 brings together a compact analogue mixing console with large-format console quality, and a superb, automated,
multi-DAW control surface - plus the ability to flip between the two in an instant. The Control 2802 from Focusrite; in control of your sound.
Small-format analog recording console / DAW control surface . Forms both the digital control nerve centre and the analog heart of the modern
professional project studio
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The Mackie DL1608T rede?nes live mixing by combining the proven power of a full-featured digital mixer with the unmatched ease and mobility of an iPad.® With 16 boutique-quality Onyx mic preamps and the performance of 24bit Cirrus Logic® AD/DA converters, you have unparalleled sound quality. Seamless wired to wireless iPad control means you can mix from anywhere in the venue. This gives you the mobile freedom to control not only the mix, but also powerful plug-ins like EQ, dynamics, effects and more. The sleek DL1608 even supports up to 10 iPads. Forget bulky consoles and racks of gear. The power is at your ?ngertips.
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Presonus STUDIOLIVE 16.0.2
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The StudioLiveT 24.4.2 and 16.4.2 changed the game, offering amazing performance and ease of
use for a great price. Now PreSonus packed the same audio quality, performance, seamlessly
integrated software (including remote control) into a smaller, even more affordable package. In a
"footprint" of less than 2 square feet (0.19 m2), the compact, 16-channel StudioLive 16.0.2 offers 8
mono input channels and 4 stereo channels and provides 12 XMAXT Class A solid-state mic preamps.
(13 if you count the Talkback!) But don't let its size fool you; the 16.0.2 is jam-packed with features
and processing power, employs the same workflow and easy-to-use mixing-surface design as the
bigger StudioLive boards, and sounds every bit as good, with the same high-definition, widedynamic-
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Presonus STUDIOLIVE 16.4.2 - DIGITAL RECORDI...
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An analog mixer is a rotary dial telephone.
A StudioLiveT is a 3G cell phone with an easy-to-use interface and powerful applications.
You'll never go back to an old-skool analog mixer once you've used StudioLiveT. With its incredible signal-processing power on every channel, easy store and recall of every setting, and the ability to record it all with just two mouse clicks, you'll get spoiled fast!
Like the 3G cell phone in our analogy, StudioLive is truly a third-generation digital mixer. Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, it delivers the most creative environment possible for both live performance and studio music production.
Here, in one portable device, are high-headroom XMAXT microphone preamplifiers, a bui...
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Presonus STUDIOLIVE 24.4.2
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Below are the minimum computer-system requirements for your StudioLive 24.4.2.
Windows
Windows XP, Vista, Windows 7 (32- and 64-bit)
Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 3000+ (Turion) (2.8 GHz or faster recommended)
1 GB RAM (2 GB or more recommended)
Macintosh
Mac OS X 10.6 (Snow Leopard) or later (32- and 64-bit)
Intel Core 1 Solo 1.5 GHz processor (Intel Core Duo or Intel Xeon processor recommended)
1 GB RAM (2 GB or more recommended)
Windows and Macintosh Systems
IEEE 1394 FireWire 400 Port
Internet connection recommended
DVD-ROM drive
Internal or external 7200 RPM storage drive highly recommended
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall per...
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48 Channel Rackmount Live V-Mixing Console
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Roland M-48 Live Personal Mixer
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The M-48 is the next generation live personal mixer that offers musicians the flexibly to control exactly what they want to listen to during their performances. It provides the highest level of sound monitoring quality for both headphones and IEMs (In-Ear Monitors) as well as for wedge and powered monitors. The superb sound quality creates the ideal monitoring environment for live performance and recording as well as studio applications.
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The S-1608 and S-0816 Digital Snake are compact versions of the popular S-4000 Digital Snake System. Easy to use and quick to install, the S-1608 Digital Snake System is a small format audio snake solution that offers the highest quality audio signal available in a portable snake system. The S-1608 Digital Snake system is ideal for bands, corporate A/V events, seminars, rental and staging houses, Houses of Worship and broadcasters that need the best possible sound quality from their audio without the high frequency losses and bulk of an analog snake.
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The S-1608 and S-0816 Digital Snake are compact versions of the popular S-4000 Digital Snake system. Easy to use and quick to install, the S-1608 Digital Snake system is a small format audio snake solution that offers the highest quality audio signal available in a portable snake system. The S-1608 Digital Snake system is ideal for bands, corporate A/V events, seminars, rental and staging houses, Houses of Worship and broadcasters that need the best possible sound quality from their audio without the high frequency losses and bulk of an analog snake.
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S-4000D - The REAC Splitter Equipped with Embedded Power
"REAC Embedded Power" is unique Roland technology that enables the transfer of not only the digital audio signal but also the power required by the connected device - all via one CAT5e cable. The S-4000D Splitter and Power Distributor is equipped with 10 REAC ports including 8 ports of REAC Embedded Power. The S-4000D can automatically detect and distinguish a product not supporting REAC Embedded Power. In this case, power is not provided allowing the S-4000D to also function as a standard splitter when required.
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The S-4000H is a component of the S-4000 Digital Snake System. It has 8 +4 line level inputs, 32 +4 line level outputs and redundant Ethernet connectors. It is typically used at the Front of House console position providing 32 outputs to the console from the stage sources and 8 inputs or returns from the console's buses.
The S-4000H is also often used at Split positions providing 32 outputs of the Stage sources for monitor consoles, recording rooms or broadcast feeds.
The Inputs and Outputs are provided on 8-channel 25 pin D-Sub connectors using the TascamT wiring standard. The audio is +4 line level and there are four 8-channel Output connectors and one 8-channel Input connector.
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The S-4000S-0832 is a component of the S-4000 Digital Snake System. It has 8 inputs, 8 outputs and redundant Ethernet connectors. It is typically used on the stage providing 8 mic/line inputs and 32 outputs or returns. Each channel has remotely switchable Phantom Power as well as a 20 dB pad. The professional quality XR-1 mic preamps are remotely controllable in zipperless 1dB steps using the S-4000R Remote Controller or a Mac or PC using the free RSS-RCS software. The preamps have been designed for live sound applications and provide superb audio quality with 28 dB of headroom.
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The S-4000S-3208 provides 32 mic/line inputs on the stage along with 8 returns from the console. At the FOH or console position, the S-4000H provides 32 outputs from the stage to the console's channel inputs. It also has 8 inputs to send buses from the console back to the stage for speakers and monitoring.
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40 input x 0 output Modular Rack Unit
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Console Numérique Roland VMC-7200
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Yamaha 01V96 VCM (01V96 VCM)
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Still Small and Professional - Now with VCM Effects
The 01V96VCM delivers the performance and reliability of Yamaha's acclaimed digital live sound and production consoles in a remarkably compact design that is perfect for home and professional applications where space is limited or maximum portability is required. It may be small but it can handle up to 40 inputs, and can be cascaded if more are required. And now, in addition to the many improvements that were implemented in the 01V96 Version 2, the 01V96VCM comes with a selection of Yamaha's unsurpassed VCM effects built in. Of course the entire console - effects included - features 24 bit/96 kHz operation for ultimate resolution and sound quality that will satisfy the most demanding applications.
Precise 24-bit/96-kHz Audio a...
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