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119.00$ CAD   
Screaming guitar feedback in the box! Release your inner beast with the first realistic guitar feedback simulator on the market. Go from moderate and subtle to rampant and wild by the twist of a knob (or two). To break new musical ground, try inputting a synthesizer, a violin, or even your mother's grand piano.

One thing that is really hard to achieve with a guitar amplifier simulation plug-in or hardware is the interaction in a room between the guitar and an amplifier turned up loud. Enter Acoustic Feedback - because this plug-in does precisely that. Whether you just want single notes to keep hanging a little longer and gently fade to sustained feedback or you want instant and rampant howls for your noise rock, Acoustic Feedback is your friend.
Acoustic Feedback comes bundl...
379.00$ CAD   
The complete collection of Softube's reknown amplifier simulations, including Vintage Amp Room, Metal Amp Room and Bass Amp Room.

This collection includes the Vintage Amp Room with its three models of classic guitar amplifiers, the Metal Amp Room for high gain metal madness, and finally the Bass Amp Room which is a natural sounding model of a seriously cool bass amplifier and three different cabinets.

Follow the links and read more about the included Amp Rooms on their respective pages.
189.00$ CAD   
Bass Amp Room was designed to handle all your bass amp needs, from dirty rock to modern clean. It consists of a model of a bass amplifier, three distinctive speaker cabinets with click-and-drag mics, and a blendable DI section with tone controls and a limiter.

Bass Amp Room has got everything you need to create a unique signature sound in no time. It's well thought out, and the high quality building blocks will help you produce a huge range of sounds. The Bass Amp Room is all about getting a sound you know you can trust, and getting it quickly.

Although it was originally designed as a guitar amp, the 70's amp that has been modeled has proven to be an excellent choice for bass players. A thick and solid preamp distortion without any fizziness lets you crank it up without l...
259.00$ CAD   
The FET Compressor is an impressively faithful modeling of one of the most iconic compressors of all time. FET Compressor is loved for its aggressiveness and its tendency to add some tasty distortion to the sound source when driven hard. This compressor loves to be slammed and abused. But few things are so good they can't be improved, so we added a couple of nice features that makes it even more flexible than the hardware original.

In general, the FET Compressor can be used for deeper gain reduction than you would normally use with any compressor. The reason is that even at extreme settings, the FET Compressor shows no trace of the pinched sound many other compressors make when you push them hard. This ability for strict gain control is not least useful on lead vocal tracks that n...
159.99$ CAD   
Metal Amp Room was designed to bring you the most brutal, evil and aggressive guitar sound that is possible to squeeze out of your DAW. It may even contain backward messages. Run it in mono for a tight and focused sound, or let it take up your entire stereo width by the use of two panned microphones.

We should probably add it to our end user agreement that by installing Metal Amp Room to your DAW, you agree to having it posessed by a dark and evil force. Plus you may want to consult an exorcist if you should ever wish to uninstall.

Just kidding. Metal Amp Room won't make your computer screen spin (and you won't want to uninstall it either), but it was designed with the intent of letting you metal heads get the most fiercely brutal high gain guitar sound possible out of yo...
189.00$ CAD   
The Passive-Active Pack is a collection of three very different equalizers, each with its own character and quirks. The Passive and Active equalizers emulate real workhorse units, used on thousands of recordings from past to present. The Focusing Equalizer combines these with analog sounding saturation and a novel workflow.

This collection includes three highly useable equalizer models that are unique to Softube. Here's a brief overview, read more on their respective product pages.

Passive Equalizer is modeled from a famous German passive three-band equalizer, and features a wide bandwidth and an unsurpassed clear and open sound. The low boost gives you a warm low end, perfect to fatten up a bass drum or bass guitar track. Cutting the highs gives you a very gentle 6 dB cu...
Softube  SPRING REVERB   (SFT-SPR-1...
119.00$ CAD   
Spring Reverb is an authentic spring reverb recreation that will add vintage character and grit to any audio track. It also includes novel features such as a fully automatable Shake control that will shake the virtual springs around for those thunderous spring effects. Get some recognizable character in your mix with the Spring Reverb!

When your mix lacks that certain something, Softube's Spring Reverb may very well be it. A spring reverb is built into a lot of classic guitar amplifiers and is consequently often used for guitars. But you wouldn't do it justice to think a reverb of this type was limited to guitars only. It can add a lot of personality and character to a vocal track, a snare drum, percussion, an electric organ or just about anything. It's very much a sound of its ow...
259.00$ CAD   
The Summit Audio EQF-100 Full Range Passive Tube Equalizer really sets the standard for all passive equalizer designs. It is a highly versatile and sweet sounding equalizer that will solve most of the tonality issues you may experience in a mix. The EQF-100 is equally suitable for separate tracks as across subgroups or the entire stereo buss.

Flexibility and smoothness are the key features of this tube driven passive equalizer. Here's finally an equalizer you can use in your DAW to boost frequencies and not limit yourself to cutting. Four fully parametric bands of equalization plus low and high cut filters with three selectable cutoff frequencies each make the EQF-100 a go-to equalizer for any sound or instrument in your mix. A mix that no doubt will sound warmer and fatter with t...
379.00$ CAD   
Combining the smooth operating EQF-100 parametric passive equalizer with the mild but authoritative TLA-100A compressor, Summit Audio Grand Channel is a highly versatile channel strip that will cover a large part of your mixing needs.

The Grand Channel combines the warm and smooth tone sculpting Summit Audio EQF-100 Full Range Equalizer with the rich sounding and dead-easy-to-use Summit Audio TLA-100A Compressor. Having the two combined in a single plug-in makes adjustments easier, as you will often find that the compressor affects the equalizer and vice versa. By default, the sound reaches the equalizer before the compressor, but you can easily reverse the order with a single switch.

When the EQF-100 and TLA-100A were designed, Summit Audio made sure to combine the fines...
259.00$ CAD   
This classic compressor is all about gentle and natural sounding gain reduction. It effortlessly keeps your material's dynamics controlled without ever strangling the sound. Everything you put into the TLA-100A comes out the other end big and compact sounding.

The Summit Audio TLA-100A works in a program dependent manner, meaning it does a lot of the thinking for you. It's tremendously easy to use and basically impossible to make it sound bad. It will however give you some soft and warm distortion if you drive it really hard. For ease of use, Softubes TLA-100A plug-in has a Saturation knob that the original unit lacks. This lets you blend in just the right amount of distortion to your signal.

The TLA-100A shows the same basic behavior on any type of material. Its transpar...
119.00$ CAD   
Go from shimmering bright to warm and wide with a twist of a knob! The Tonelux Tilt plug-in is a fast and easy way of making a track sit better in a mix or make it sound "warmer" or "cooler". It's also perfect in a live situation where you need to tweak the whole mix to adjust for ear fatigue.

You may want to put Tonelux Tilt first on all your channels. It includes all the controls you need for a quick and rough setting before you get into the details - and it's quite possible you will find that Tilt was all your track needed to find its place in the mix.

The Tilt filter does precisely what the name says - if you activate it and turn the control knob clockwise, it will attenuate the lows and boost the highs. Go counterclockwise, and the opposite happens - the sound gets f...
259.00$ CAD   
The Trident A-Range equalizer is a legendary piece of equipment. As only thirteen A-Range consoles were ever made, it remains a holy grail for sound engineers and producers around the world that hope to create works of art equal to those that were originally recorded on the A-Range - David Bowie's Ziggy Stardust, Queen, Elton John, the list goes on

It is sometimes said that one of the disadvantages of digital mixing and recording is that the happy accidents one could experience with analog gear just don't happen in the DAW. People saying that clearly haven't tried Softube's Trident A-Range equalizer.

Because the Trident A-Range is not only a tremendously nice sounding and highly characteristic equalizer. Its four frequency bands also have a way of integrating in sometime...
Softube  TSAR-1 REVERB   (SFT-TSAR-...
325.00$ CAD   
The TSAR-1 Reverb is not an emulation. It's not a stock design. It's not a static snapshot of a space. The TSAR-1 is a powerful, modern reverb algorithm. It's alive and vibrant, it's gentle and dreamy, and above all - it's natural and believable. The TSAR-1 is the better-sounding alternative to the established, traditional reverb products. At a fraction of the price.

The True Stereo Algorithm inside the TSAR-1 is what gives it its magic. The strength lies in its sophisticated sound and versatility, no matter whether it's used on strings and brass or rock drums and lead vocals, it always shines. All this while still having a comprehensive and easy-to-use interface that is unparallelled in other high-end reverb products.

The TSAR-1 has been designed with ease of use in mind...
119.00$ CAD   
The TSAR-1R Reverb is the little brother of our high-end TSAR-1 Reverb and combines ease-of-use with the same powerful reverb algorithm as its big brother. The TSAR-1R is the first choice for any situation where you need fast results without sacrificing sound quality.

The TSAR-1R Reverb is the little brother of our high-end TSAR-1 Reverb and combines ease-of-use with the same powerful reverb algorithm as its big brother. The TSAR-1R is the first choice for any situation where you need fast results without sacrificing sound quality.

The True Stereo Algorithm inside the TSAR reverbs is what gives them their magic. The strength lies in the sophisticated sound and versatility, no matter whether they are used on strings and brass or rock drums and lead vocals, they always shin...
119.00$ CAD   
Tube Delay is a marriage between analog and digital, combining the warmth and natural compression from tubes with the features and versatility of a digital delay. The effect is perfect for fattening vocal tracks, adding slapback echo to drums or getting a gritty delay for guitars!

A slightly dark and distorted delay has a way of giving a great sense of space and size to a mix without really drawing attention to itself. So that's where our Tube Delay gets in the picture.

The controls are quite self explanatory, but it's the sound that sets Tube Delay apart from any other delay you have tried. The drive knobs add a wonderfully dirty distorsion and the tone controls are just sweet. There's actually three different tube stages in this model, each adding to the total sound. Th...
Softube  TUBE TECH CL 1B
379.00$ CAD   
Optical compressors have a particular way of responding to the incoming signal that is uniquely compelling and musical. But they are of course not all the same, and the Tube-Tech CL 1B is the prime example of what an optic compressor is capable of. It is highly versatile and can go from soft and gentle to snappy and punchy by the twist of a few knobs.

Tube-Tech CL 1B is one of those units that has a defined personality while still being useful on a variety of sound sources in a variety of situations. It can be used for a calm and natural dynamic control, but depending on your settings, it can bring out punch and life from any material. Because of its way of treating the signal differently depending on the frequency content, it gets a lot of love when used on material with a wide ...
579.00$ CAD   
The Classic Channel is not your everyday channel strip, with a surgical equalizer and fast bus compressor. The Classic Channel is a vintage style and warm sounding channel strip put together from the most famous and classic Tube-Tech gear: The "Pultec" equalizer PE 1C, the mid-range equalizer ME 1B and the tube driven opto compressor CL 1B.

With the two Pultec-style equalizers you can shape the sound of a track, a bus or a mix within seconds. The highs sound smooth and gentle, the mid-range airy and focused, and the lows full and fat, almost at any setting. Add the final touch with the CL 1B compressor, versatile but with a distinct personality. Forget about precise and minute tweaks with 0.1 dB read-outs. The Classic Channel is about the good sound, and the way to get there is ea...
Softube  TUBE TECH ME 1B
189.00$ CAD   
The real battle for getting a clear and vibrant mix is often fought in the midrange frequencies. The Tube-Tech ME 1B is a tube-driven passive equalizer that addresses the midrange?and only the midrange. So gear up, soldier and go, go, go!

The ME 1B is Tube-Tech's unique take on the classic Pultec MEQ-5 midrange equalizer. There's a lot of mojo going on in the Pultec designs, but the biggest mojo of it is that it is so well-designed that almost whatever setting you use, it will sound good.

Just like the Tube-Tech PE 1C "Pultec" Equalizer, the Tube-Tech ME 1B is a passive, tube-based equalizer. It was designed to accompany the PE 1C equalizer, and provide control over the frequencies that the PE 1C cannot adjust. On its own it's a great tool to shape the midrange of any aud...
Softube  TUBE TECH PE 1C
259.00$ CAD   
Loved and coveted by sound engineers all over the world for its super huge bass and its silky shiny treble, the PE 1C is Tube-Tech's modern day take on the famous Pultec tube-driven passive equalizer. It does things no other equalizer can, and when you start twisting the knobs you will find it's more versatile than it may appear at first.

We think the sound from this equalizer is the reason why some people started spelling "fat" with "ph" when describing a sound. The PE 1C will give you the most thunderous and solid low end on the planet, and in addition to that, a treble that is so silky and sweet you just want to cuddle into it.

The Tube-Tech PE 1C is a passive, tube-based equalizer suitable for many different sources ranging from bass drums and guitars to vocals, and n...
189.00$ CAD   
A secret weapon to some - a hidden treasure to the rest. Squash drums, get a snappy bassline, enhance track dynamics, duck, gate, key or de-ess - the Valley People Dyna-mite is a swiss army knife limiter/expander design with unique character that inspires to new sounds.

The Dyna-mites usefulness goes way beyond the snappy and aggressive compression it is mostly known and loved for. True enough - used as a compressor it can make you blink involuntarily at every drum hit you send through it. But it can also be used as a highly versatile expander or a full on gate. Even in this day and age of digital recording with all its editing possibilites, a nice expander is still a very useful tool, for example to control microphone bleed in a natural manner. And a good gate still saves tons of...
259.00$ CAD   
Straightforward and simple, Vintage Amp Room emulates three great and classic guitar amps in a complete studio set-up with speaker cabinets and fully flexible microphone positioning. It's easy to use for live performances and recordings, as well as for re-amping and last-minute tweaking.

The three guitar amplifiers we simulated in Vintage Amp Room are timeless classics that have deserved their place in the history of guitar based music. So instead of simulating tons of amps, we set out to get these three done right instead.

The amps are simulated in a true studio environment with fully flexible click-and-drag microphone positioning. So not only did we simulate the sound of guitar amps in a nice studio, we simulated the entire workflow.

Vintage Amp Room has none o...