Classé par  
AEA  TRP
App 514-721-1518   
The AEA Ribbon Mic Preamplifier is an ultra high-gain and impedance, minimal-path FET mic pre designed by Fred Forssell. This low-noise two-channel preamp is for ribbon, moving coil, and tube microphones that do not use or want phantom power. This allows for improvements in minimal path circuitry and also rids the unit of phantom-power blocking capacitors. Zener diodes on the input protect the input stage if external phantom power is applied.

First stage gain is set from +6 to +63 dB by a 12 position Grayhill switch. Another 20dB of gain is available after the output level potentiometer. Polarity reversal and high pass switches on the two channels are complimented by operating and overload LED metering.
 
AMS Neve  1073DPD
App 514-721-1518   
The 1073DPD combines two of our world-famous Class A Neve 1073 microphone preamplifiers with flexible 192kHz digital output capabilities, for modern recording environments - all in a single rackspace. This classic design is the consummate mic pre for capturing vocals and musical instruments, with the added convenience of direct output to hard disk recorders or computers, thanks to the high-quality Neve-designed analogue-to-digital converters.
For those who don't already know its legacy, the big, punchy sound of the mic 1073 preamp complements any musical genre, from rock to pop, hip-hop to rap, thrash to classical. Its lush sound with classic Neve signature makes it the consummate mic pre for recording vocals, guitars, and all acoustic instruments.
With the 1073DPD, two Neve 1073 m...
 
Aphex  DUAL-RPA-500
App 514-721-1518   
A two-channel, two-slot, solid state/tube hybrid preamp that also
features Aphex patented Mic Limiter technology. Transformerless,
electronically balanced I/O. Includes 20-segment input meter and
3-position output level switch.
 
Api  A2D Dual 312 Mic Preamps with Digital Ou...
App 514-721-1518   
The A2D represents a landmark achievement for API; it is the first product ever produced by the company with an integrated digital output. Recognizing the desire for a high quality solution to raise microphone signals to a workable line level, we engineered one of our most popular mic preamp designs into an enclosure with our new proprietary analog to digital conversion. The result is a complete package - a pair of superb mic preamps feeding an A/D section with a set of standard digital interface outputs, multiple sample-rate choices, and internal or external clock options.
 
Avalon  AD 2022
App 514-721-1518   
Préamplificateur double mono Classe A pour microphone. Bruit minimisé, "headroom" élevé, entrées directes pour instruments et microphones, impédance d'entrée variable, sélecteur de gain par sauts de 4dB ("fine trim"), filtre de bande passante variable, 48v, inverseur de phase et atténuateur (pad), indicateur VU gros format, alimentation externe. Mesure 2U.
 
Cartec Audio LTD  EQ-PRE-2A
App 514-721-1518   
Dual channel solid state pre-amp/Pultec style EQ
 
Chandler  TG2 MIC PREAMP
2780.65$ CAD   
The Chandler Limited TG2 is a recreation of the rare EMI TG12428 pre amp used in EMI/Abbey Road recording and mastering consoles used in the late 60's and early 70's. The sound was used on many famous recordings done at Abbey Road including The Beatles "Abbey Road" and Pink Floyd "Dark Side of the Moon." The amplifiers were also used in many EMI circuits of the time.
 
Focusrite  ISA TWO   (ISA TWO)
1099.00$ CAD   
You may only need a couple of mic preamps, but they need to be the very best. The ISA Two dual-mono mic pre is the ideal solution: two independent channels of the highest quality classic Focusrite mic pres, with line in and front-panel instrument inputs - no DI box required. Based on the legendary designs found in the Focusrite Forte and Studio Consoles, ISA Two is the ideal front-end for your rack
 
Grace Design  FELiX Instrument & Mic Preampli...
App 514-721-1518   
Studio Quality 2 Channel Instrument & Mic Preamplifier / DI / EQ

FELiX is our new, studio quality 2 channel blending acoustic instrument and mic preamp, designed for working musicians, engineers, sound companies or venues looking for the highest quality solution for amplifying stringed instruments. FELiX is built into a roadworthy (beer-resistant) floor unit chassis of anodized aluminum and steel, portable enough to leave the rack at home but bring studio quality to the stage. With the same stunning audio performance and legendary reliability as Grace Design’s pro audio range, FELiX brings open, musical and nuanced preamplification to any performance situation.

A powerful eq section allows simple and intuitive tone shaping for even the most unruly of instruments. Each ch...
 
Grace Design  m201
App 514-721-1518   
2 channel microphone preamplifier with optional reference ADC

Like the rest of our line, the new m201 delivers unmatched audio performance, with massive headroom, ultra-wide bandwidth and a very open, musical character. The signal path has been hot-rodded to be fully balanced from start to finish, resulting in a wider dynamic range, while new high-current output drivers enable even longer cable runs without signal loss. This means the m201 can translate a sonic picture of astonishing clarity and detail, which serves to capture the essential character of the music being recorded.

We offer the m201 with our state of the art 24-bit/192kHz A/D converter option, from the factory or as a retrofit to existing units. With the A/D converter module installed, the microphone preampl...
 
Manley  SLAM!   (MSLAM)
10080.00$ CAD   
SLAM! stands for "Stereo Limiter And Micpre" and it pretty much describes what it will do to most VU meters. We had to put a switch on this limiter to drop its internal VU meters down 3 & 6dB to keep the poor little needles from bending? it'll get LOUD fast (hence the exclamation mark). And on top of being an amazing pair of (actually four) Limiters, and Class A tube mic preamps, it also has masters degrees in DI, AtoD and DtoA, VU and PPM but that was too much for an acronym.
 
Manley  TNT Mic Preamp   (MTNT)
4100.00$ CAD   
The Manley TNT (Tubes -- No Tubes) New 2-Channel Mic Pre:
Here is a twist: two different and discrepant mic preamps in one box for two different colors. By popular demand, one channel is the exact same micpre as in our SLAM! with tubes and transformers. The second preamp is a fresh "No Tubes" design from Hutch and is inspired by old British console preamps with a tasty combination of "No Tubes" design with transformers.
 
Mercury Recording  Mercury M72s
App 514-721-1518   
The most sought after Telefunken/Siemens "V series" modules are famous for being used in Abbey Road's REDD.37 consoles. These amplifiers were called "V72s" and were a modified version of the standard V72 modules that were much more common. Unlike those vintage modules that had fixed gain, The V72 at 34dB, and the "V72s" at 40dB, the Mercury M72s has variable mic gain from 28dB to 58dB. Also, with the M72s, you have a selectable input pad of -16dB or -28dB for even more control. When the -28dB pad is engaged and it is set at the lowest gain setting (28dB) you can run line level signal through the M72s. This will provide a warm, rich path for mixes, keyboards, drum machines, samples etc... There are also all the modern features we expect on a new piece of equipment: 48V DC (Phantom), Phase R...
 
Mercury Recording  V76m
App 514-721-1518   
First, Mercury Recording Equipment Co. successfully recreated the original V72s with the highly regarded Mercury M72s. Now, with the Mercury M76m, we have brought to life the V72s' "big brother" - the V76. The Mercury M76m is a recreation of the original German designed Telefunken / Siemens amplifier module used in many European broadcast and recording desks. The V76 modules, however, are more well known as an outboard rack mounted preamp and are highly sought after by studios and engineers all over the world. Of all the V76 amplifiers, the "V76m" has always been the most desired because of its useful variable gain control, (as well as no filters intended for broadcast use). Original V76 modules have not been available new for 40 years and working vintage units have become extremely rare a...
 
Millennia  HV-32P
1374.72$ CAD   
Authentic Transparency for Unrestricted Creativity

• Continuously variable gain control


• DC coupled ribbon mic with 10dB gain boost setting


• 48V phantom power


• 15 dB PadPolarity flip


•12 to 15V operation - 100 to 240V line lump power supply, 12V output, included
 
Millennia  HV-37
1833.38$ CAD   
Authentic Transparency for Unrestricted Creativity
Continuously variable gain control

Front panel instrument input

DC coupled ribbon mic with 10dB gain boost setting

80 Hz rolloff filter

48V phantom power

15 dB Pad

Polarity flip

Internal power supply - 100 to 240V operation
 
Millennia  HV-3C
2360.84$ CAD   
The HV-3 Series stereo mic pre provided an absolutely faithful rendition of the microphone’s sound, without imparting any coloration of its own... An excellent value offering impeccable audio specs, first-rate construction, and sonic transparency under any conditions. The Millennia Media HV-3 is... for those who seek absolute purity in reproduction.”
 
Millennia  M-2B
4263.02$ CAD   
The World’s Most Elegant Tube Mic Preamplifier
•Musical, involving, euphonic

•High speed transformerless, pure Class A, 350 volt
triode design

•Differential topology: no attenuator “pads” required

•Effortless dynamics, vividly realistic ambience

•>35 dBu output headroom

•High resolution gain control

•Precision potentiometers, ultra-premium components

•Built for critical professional applications

•Gold audio connectors, tube sockets, and relays

•3/8“ thick radius extruded aluminum face plate

•Durable mirror-gloss anodized finish

•Mil spec 16 gauge cold-rolled steel chassis

•Ultra-clean toroid power supply: internal sub-chassis

•Hand machined aluminum knobs,
ill...
 
Presonus  BlueTUBE DP V2
339.00$ CAD   
Have It Your Way!
PreSonus' popular Class A XMAX preamps are widely lauded for their clarity and transparency. Our tube preamps are beloved for their warm, smooth sound. With the Blue Tube DP V2 dual-path mic/instrument preamp, you get both types of high-quality sound in one unit.

No wonder the original BlueTube DP became a classic!

Now we've improved on the classic unit with the BlueTube DP V2. The solid-state path now feeds PreSonus' top-of-the-line Class A XMAXT mic preamplifier with 80 dB of variable gain-an upgrade from the original BlueTube DP's solid-state stage.

The tube path features a 12AX7 tube that operates on voltages double that of other preamplifiers in its class, producing lots of headroom and big tone. We've done an assortment of other tweaks...
 
Rupert Neve Designs  Portico 5012
2325.00$ CAD   
The Portico 5012 is a dual channel mic pre featuring Neve's custom input and output transformer designs. In addition to individually selectable phase, mute, phantom power and a fully sweepable high pass filter, the 5012 incorporates a "Silk" circuit which yields the rich warmth and presence of the renowned classic designs.
 
Slate Digital / Pro Audio / Media Technology ...
2293.31$ CAD   
4 Mic Preamp Circuits means versatility.

Covering the range from classic "British Class A-style" vintage tone to ultra-clean modern sparkle, the Slate Pro Audio Fox 2-channel microphone preamplifier is one of the most versatile mic pres out there. The way the Fox shapes tone is brilliant. There are two completely independent microphone preamplifier circuits in each of the Fox's channels. The Vintage circuit calls up the sound of the legendary 1073-style preamp - warm, fat, and full of lush harmonics. Conversely, the Modern setting gives you a sparkling clean sound that's perfect for capturing acoustic instruments in picture-perfect detail. What's more, the Fox features two Combo modes, which combine the input and the output sections of both circuits, giving you a pair of completely ...
 
SPL  Gold Mike Mk2 AD w/ Digital Output ...
2399.00$ CAD   
Dual-channel microphone and instrument preamplifier with AD convertion.
 
SPL  GoldMike MK2   (2485)
1999.00$ CAD   
We love good microphones

Like its successful predecessor, the GoldMike Mark2 retains a hybrid solid state and tube construction to combine the best of both worlds.
The transistor stage is composed of single transistors in a class A design. The circuitry is fully discrete, and each transistor is completely optimized for its specific task. You will not find any IC's in this preamplifier stage because they cannot be optimized for this specific application to the degree we aimed for.
This all new discrete class A transistor stage is a genuine innovation in the entire preamplifier market at this price level.
?Frequency response <10Hz bis 90kHz (-3dB)
?THD+N (Input level -30dBu, 30dB Gain) 0,016%
?Noise (A-w., R=40Ohm, 30dB Gain) -91,2dBu
?Dynamic range (30dB G...
 
Summit Audio  TPA-200B Dual Tube Preamp
3465.00$ CAD   
Tracking and mixing

The Summit Audio TPA-200B is an incredibly easy to use dual channel preamplifier marrying a classic tube and transformer front end design with a more modern solid state output stage, resulting in ultra clean gain that really lets the warmth and rich harmonic detail of the tube come through.
Huge range of tone

The TPA-200B allows you to set gain clean and pristine or layer tube input saturation all the way to thick harmonic distortion with all sorts of variations in between. This is the swiss army knife of mic pres!
It's so easy...

Each of the two channels has its own set of knobs that control input gain and output gain. For cleaner applications, set the input gain lower and the output gain at maximum. For more harmonics and tube distor...
 
TK Audio  DP1mk3 Dual Preamplifier
2011.75$ CAD   
The DP1mk3 is a dual channel preamp based on a unique hybrid design including both vintage and modern circuits. Germanium and silicon transistors, along with integrated circuits, make the sound character expand over several decades. The midrange crunch of the germanium sound of the mid 60's, the low mid punch and thick sound associated with British class-A from the early 70's and the modern tone from the 80's and 90's; all in the same box.

The input-stage is built around a high quality Swedish Lundahl transformer. The preamp section is followed by a germanium unity-gain stage for coloration. Finally the DP1mk3 has two different output stages, an electronically balanced output stage or a discrete transformer-balanced class-A stage, built around a heavy Carnhill output transformer. ...
 
True Systems  P2 Analog
App 514-721-1518   
The P2analog is designed to provide detailed, transparent sonic performance necessary for the most critical direct tracking and live sound applications. It includes a unique combination of functions that make it useful as a complete input system for standalone or PC-based recording systems. And, the P2analog has special features that provide the serious musician or recordist with useful tools to get the best sound more quickly and easily.
In addition to our acclaimed microphone inputs, the P2analog features two instrument direct inputs (DIs) offering sonic performance previously thought to be available only with dedicated, high-end DIs. You'll get incredible articulation and control for electric bass, detail and smoothness for stringed instruments and punchy, clean sound with keyboards...
 
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