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AMS Neve  1073LBEQ
App 514-721-1518   
Launched in 1970, the original Neve 1073 module is perhaps the world's most famous and desirable microphone preamp and EQ for recording vocals and instruments of all types. The first choice of countless leading producers and artists, the 1073 delivers the unique Neve sound featured on many of the most famous recordings of the past 40 years. The big, punchy sound of the 1073 classic complements any musical genre - from rock to pop, hip hop to rap, thrash to classical.

And now the EQ section of that classic unit is available for your 500-series rack.
Crafted in England by Neve engineers, the 1073LBEQ mono EQ module retains the unique sonic characteristics of the original 1073 classic EQ by using the same EQ circuit architecture and matching components. And it delivers it in a m...
 
AMS Neve  2264ALB
App 514-721-1518   
Originally designed in 1974, the Neve 2264A mono Limiter/Compressor unit quickly became a legend. Delivering similar facilities and performance as the earlier 2254 Limiter/Compressor type, it did so despite being packaged in a more compact form-factor. Discrete, Class A/B design and transformer-coupled circuits used in the input, innovative bridge-driver design, side-chain and output stages ensured a totally unique sound. The original 2264A units are still sought after, decades after production stopped, and they remain one of the milestone pieces of studio equipment.

And now the 2264A unit is available for your 500-series rack.
Crafted in England by Neve engineers, the 2264ALB retains the original 2264A's unique sonic characteristics by using the same architecture, matching c...
 
AMS Neve  33609
App 514-721-1518   
The 33609 is divided into two sections, with all stepped controls for instant recall. From left to right the user is presented with first limiter controls, and then compression controls. In the circuit, the compressor section comes first and the limiter second, as would be expected-the physical layout is an inherent idiosyncrasy with all Neve compressors, and part of the charm, if you will. Threshold and recovery controls are present with six release times available, two of which achieve program dependent release, much like the Fairchild. The limiter also features a slow and fast attack switch that I found somewhat subtle.

The compressor has similar threshold and recovery controls as the limiter, plus ratio selection and makeup gain. The unit also has global gain reduction bypa...
 
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