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1- Vendredi fou  EL7 Fatso
Spécial Vendredi fou 2499.00$ CAD Quantité Limitée  
The Empirical Labs EL-7 FATSO is a modern digitally controlled analog device that offers many of the "musical non-linearity's" exhibited by the older tube, class A discrete, and magnetic tape mediums. This two channel audio processor will musically integrate frequencies and transients and increase the apparent volume without actual increase in peak levels. In addition, two channels of famous Empirical Labs compression are provided. There are several compressor "types" with fixed attacks and releases (if you want a fully controllable compressor, you will need the Empirical Labs EL-8 Distressor!). Users can enhance & soften the sound of mediums such as modular digital multitracks (MDM's), HD recorders, DAT recorders, RAM Recorders etc. Mixdown engineers will have an option not to use bulky, ...
 
1- Vendredi fou  EL8 Distressor
Spécial Vendredi fou 1549.00$ CAD Quantité Limitée  
Unlike most analog compressor/limiters the Distressor is a digitally controlled audio device and actually incorporates several products into one by utilizing digital controls to switch totally different circuits in and out. Years of beta testing and redesign went into the Distressor as will be the case with all Empirical Labs products.
 
1- Vendredi fou  ELDS-V DerrEsser ELDS-H Derr...
Spécial Vendredi fou 570.00$ CAD Quantité Limitée  
The DerrEsser is a multi function dynamic filtering device, in an API 500 series module format. In its basic ?DS? mode, the DerrEsser is an effective, level insensitive de-esser, which is a device that will adjust the high frequency gain on overly trebly or spiky vocal, or other source. By using a crossover technique, and dividing the audio up into a high frequency range and a low frequency range, the DerrEsser can use its Voltage Controlled Amp to turn down comparatively high or harsh high frequencies in an extremely musical manner. However, unlike other de-essers, the device is not limited to just de-essing, and allows for multi use of its circuitry.
 
1- Vendredi fou  EQP-­WA Pultec Tube Equalize...
Spécial Vendredi fou 799.00$ CAD Quantité Limitée  
Add Luster and Brilliance to Your Music
What if you could juice your tracks with massive bass, shimmering air, and addictive warmth - without having to shell out a fortune? Well, now you can, with the Warm Audio EQP-WA. A Pultec-style 2U rackmount tube equalizer, the EQP-WA rocks the look and feel of the classic original that graced countless hits. But with its fully discrete circuitry and top-drawer components such as CineMag transformers and premium tubes, it also nails those elusive euphonic sonics that make your recordings come alive. Add luster and brilliance to your music, affordably, with the Warm Audio EQP-WA.

Top-tier performance and a stunning value
At Sweetwater, we're all about performance and value, and that's what the EQP-WA gives you: top-notch performance, ...
 
1- Vendredi fou  Slate Pro Audio Dragon
Spécial Vendredi fou 1999.00$ CAD Quantité Limitée  
The new SLATE PRO AUDIO DRAGON is unlike any dynamic audio processor you've heard before. Simply put, the DRAGON was created to be the most versatile compressor, limiter, and sound shaping tool that the pro audio industry has ever seen.

The Concept

The DRAGON starts with a classic FET compressor circuit, reminiscent of vintage units from the 60's and 70's. But the SLATE PRO AUDIO engineers enhanced the circuitry of the unit with a mastering grade signal path, including a CLASS A output section based around a custom-made transformer. The result is a compression quality that is rich and warm, but is also capable of sharp and aggressive tones. But this is only the start of what the DRAGON can do.

Add Some Character

The DRAGON includes three character settin...
 
1- Vendredi fou  WA76 FET compressor
Spécial Quantité Limitée 699.00$ CAD Vendredi fou  
Amazing Re-creation of a Classic
Warm Audio's WA76 set its target high: the most iconic solid-state limiting amplifier in history. How does Warm do it? Through economies of scale, mostly. They don't cut corners on components (the WA76 employs genuine US-made Cinemag transformers), but they do order parts and build in quantity, which keeps costs down. Like the classic unit, the WA76 gives you a completely discrete signal path and the same arrangement of controls. And yes, it replicates the original's explosive performance when all the ratio buttons are pressed. Elevate your studio to the next level - with the Warm Audio WA76.

Warm Audio WA76 Limiting Amplifier at a Glance:
What can the WA76 do for you?
Top-tier performance - and a stunning value
What can the WA76 do...
 
Airfield Audio  Liminator
App 514-721-1518   
Class A Dual Transformer Mono Compressor
 
Airfield Audio  Liminator 2
App 514-721-1518   
Class A Dual Transformer Stereo Compressor
 
AMS Neve  1073LBEQ
App 514-721-1518   
Launched in 1970, the original Neve 1073 module is perhaps the world's most famous and desirable microphone preamp and EQ for recording vocals and instruments of all types. The first choice of countless leading producers and artists, the 1073 delivers the unique Neve sound featured on many of the most famous recordings of the past 40 years. The big, punchy sound of the 1073 classic complements any musical genre - from rock to pop, hip hop to rap, thrash to classical.

And now the EQ section of that classic unit is available for your 500-series rack.
Crafted in England by Neve engineers, the 1073LBEQ mono EQ module retains the unique sonic characteristics of the original 1073 classic EQ by using the same EQ circuit architecture and matching components. And it delivers it in a m...
 
AMS Neve  2264ALB
App 514-721-1518   
Originally designed in 1974, the Neve 2264A mono Limiter/Compressor unit quickly became a legend. Delivering similar facilities and performance as the earlier 2254 Limiter/Compressor type, it did so despite being packaged in a more compact form-factor. Discrete, Class A/B design and transformer-coupled circuits used in the input, innovative bridge-driver design, side-chain and output stages ensured a totally unique sound. The original 2264A units are still sought after, decades after production stopped, and they remain one of the milestone pieces of studio equipment.

And now the 2264A unit is available for your 500-series rack.
Crafted in England by Neve engineers, the 2264ALB retains the original 2264A's unique sonic characteristics by using the same architecture, matching c...
 
AMS Neve  33609
App 514-721-1518   
The 33609 is divided into two sections, with all stepped controls for instant recall. From left to right the user is presented with first limiter controls, and then compression controls. In the circuit, the compressor section comes first and the limiter second, as would be expected-the physical layout is an inherent idiosyncrasy with all Neve compressors, and part of the charm, if you will. Threshold and recovery controls are present with six release times available, two of which achieve program dependent release, much like the Fairchild. The limiter also features a slow and fast attack switch that I found somewhat subtle.

The compressor has similar threshold and recovery controls as the limiter, plus ratio selection and makeup gain. The unit also has global gain reduction bypa...
 
Anamod  AM660
App 514-721-1518   
The AM660 is a faithful recreation of the classic sound and compression profile of the 660, using the AnaModT process to model the complex tube circuitry of the 660 and implement it entirely in the analog domain. Unlike a digital plug-in or processor based outboard gear, there is no latency, and no A/D or D/A conversions to compromise the sound.
 
Anamod  AM670
App 514-721-1518   
The AM670 is a faithful recreation of the classic sound and compression profile of the 670, using the AnaModT process to model the complex tube circuitry of the 670 and implement it entirely in the analog domain. Unlike a digital plug-in or processorbased outboard gear, there is no latency, and no A/D or D/A conversions to compromise the sound. All the functions of the original 670 have been condensed into three rack spaces.
 
Anamod  ATS-1
App 514-721-1518   
The ATS-Analog Tape Simulator is the first product that uses the AnaMod process for modeling complex analog circuitry entirely in the analog domain. Specially developed analog building blocks are 'coded' to emulate the behavior of a complex analog system. Unlike digital plug-ins or processor-based outboard gear, there is no latency, and no A/D or D/A conversions to compromise the sound. The result is a faithful recreation of the original response, without using the original analog hardware.
 
Aphex  COMP-500
App 514-721-1518   
An optical compressor that features an electronically balanced input
and a Jensen JT-11DL nickel output-balancing transformer. Extremely
fast optocoupler produced excl usively for Aphex includes Release
parameter. Can be stereo linked with another COMP 500.
Includes 10-segment gain reduction and peak output meters
 
Aphex  CX-500
App 514-721-1518   
Series module based on Aphex's acclaimed CX-1 compressor/gate unit
.Patented EasyRider® compressor
.Logic-assisted gate
.Jensen output transformer
.Multi-function meter for gain reduction, gating and output levels

The CX 500 combines the technologies of the Aphex Logic-Assisted gate and EasyRider® automatic compressor. The Logic-Assisted Gate provides reliable, accurate, and stable gate operation. The patented design never false triggers, clicks or chatters. Once triggered, the gate progresses through its attack, hold and release sequence. The CX 500 is designed to have both the compressor and gate work as a seamlessly integrated system. When the Logic-Assisted gate activates, the EasyRider® compressor is prevented from releasing. This avoids the compressor attempt...
 
Aphex  EQF-500
App 514-721-1518   
This reissue is our modern take on the classic Aphex EQF-2 500 series
three-band equalizer. It features an electronically balanced input
and JT-11DL nickel output-balancing transformer plus high and low
pass filters. High and Low frequencies can be peaking or shelving.
 
Aphex  EX-BB-500
App 514-721-1518   
Mono Aural Exciter and Optical Big Bottom . Independent enable buttons for each process . Balanced transformerless input/output
 
Aphex  PROJECT-500
App 514-721-1518   
.Full channel strip in a 500 Series module
.Class A mic preamp
.Optical compressor
.Dual-band semi-parametric EQ

The Project 500 is a full channel strip in a single 500 Series module. It features a Class A preamp, an optical compressor, a 2-band, overlapping EQ and a Jensen JT-11DL nickel output-balancing transformer. The Class A preamp and the optical compressor are taken directly from the TEC and PAR Award nominated Aphex Project Channel. The EQ section is inspired by our popular EQF 500 module.
Project 500's Class A microphone preamp provides up to 65dB of gain. The 3-color Signal LED shows the amount of input signal. This LED lights green for signal detected, yellow for a strong signal and red for overload. Lighted buttons are provided for phase reverse, 75Hz ...
 
Api  2500 Stereo Compressor
App 514-721-1518   
The API 2500 is a versatile stereo bus compressor that allows adjustment of sonic qualities that can alter the punch and tone of the stereo mix. The 19" rack mountable unit features ATI's patented "thrust" circuit for a chest-hitting, punchy bottom end. With its dual channel design, the API 2500 is set up for stereo compression, but can also be used as two separate units via a single compression setting.
 
Api  525
App 514-721-1518   
Originally released in the 70's, the API 525 is a "feedback" type compressor, such as the 1176 and 660, etc. An input (threshold) control and output (make-up gain) control are provided. An additional "Ceiling" fine tune function modifies threshold and make-up gain for precise changes in compression without changes in output. A compression/limit switch sets ratio at either 2:1 or 20:1. Attack time is as fast as 15u/s. Four auto release modes are offered via two switches, 0.1s, 0.5s, 1.5s, & 2.0s. A De-Ess function inserts an inverse vocal energy curve filter in the detector for effective sibilance/p-pop reduction. The 525 is an identical re-issue of one of the most popular API products ever.
 
Api  527
App 514-721-1518   
The API 527 takes it's place alongside the family of API VCA based compressors, the 225L and the 2500 Stereo Bus Compressor. Anyone familiar with those units will immediately be at home with the 527. Features common to the line like "feed forward" (NEW) and "feed back" (OLD) gain reduction methods selectable on the front panel, provide a choice of "that old way", or "the new way" of compression, for the highest level of flexibility in signal gain control. The "old way" or Feed-Back method is what most of the classic compressors used for the gain control circuit. The "new way" gain reduction is more typical of the newer VCA type compressors that rely on RMS detectors for the gain control voltage.

There is a "SOFT"/"HARD" switch for an "over-easy" type compression resulting in a ver...
 
Api  5500 Dual 550 EQ's with Range Switch
App 514-721-1518   
The lineage of the 5500 circuit can be traced back to the original 550 equalizer designed by Saul Walker, the founder of Automated Processes Inc. The 550 was designed as a console equalizer which, due to the architecture of the recording console, uses an unbalanced input. Because the ergonomics of a console dictate that the controls take up little space, sometimes the number of included functions can be limited. The 5500 is specifically designed to address these limitations.
 
Api  550A Discrete 3 Band EQ
App 514-721-1518   
The 550A provides reciprocal equalization at 15 points in 5 steps of boost to a maximum of 12dB of gain at each point. The fifteen equalization points are divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter may be inserted independently of all other selected equalization settings. Frequency ranges and boost/cut are selected by three dual-concentric switches, and a pushbutton "in" switch allows the EQ to be silently introduced to the signal path. A small toggle switch is used to insert the band-pass filter into the 550A.
 
Api  550B
App 514-721-1518   
4 bandes paramétriques / 4 unités configurables avec préamp et / ou EQThe API 550 EQ played a major part in the history of music recording in the USA during the 60's and 70's. Originally conceived for use in API's consoles, this latest 550 "B" version is a continuation of the original 1967 550 through the 550A with one additional filter band and several new frequencies. Incorporating API's exclusive circuitry and proprietary components (such as the legendary API 2520 op-amp), the 550B artfully blends the past with the present. So many hit records still depend on the unique 550 sound, that the 550B will be an invaluable tool you will turn to again and again. The API 550B-unlike any other you will ever use.
 
Api  560
App 514-721-1518   
10 bandes graphiques / 4 unités configurables avec préamp et / ou EQ Originally conceived for use in API Consoles of the 60's and 70's, the API 560 re-issue is a unique device designed to accomplish tasks that no other EQ can do. It delivers that "one-of-a-kind" API sound, precision easy set filtering, and high headroom in a very small package. Extremely fast to set and reset using accurate zero detents, the curve shaping potential of the 560 is unmatched. At home both in field recording and the studio environment, this "new-old" version is a re-issue of the original 560 with improved resolution in the critical area of ±4 dB. Incorporating API's exclusive circuitry and proprietary components (such as the legendary 2520 op-amp), the re-issue of the 560 artfully blends the past with present-...
 
ART Pro audio  PROVLAII   (PROVLAII...
App 514-721-1518   
Two Channel Vactrol-based Compressor

The ProVLA II is a tube driven Vactrol®-based Compressor / Leveling amplifier designed to excel in any professional audio environment. Superior performance and an incredible tone makes the ProVLA II and indispensable tool for tracking, mixing, mastering, dynamic control of live sound sources or for use in broadcast audio.

Capable of delivering a far more musical natural sounding and sonically transparent compression than competitive units in its class, the ProVLA II uses an Opto-electronic circuit rather than the more typical design VCA driven level detection circuit. This VCA-less design coupled with a 12AT7 vacuum tube in the gain stage makes the Pro-VLA II the ideal dynamic control device for critical audio applications.

...
 
Avalon  AD 2044
App 514-721-1518   
Compresseur optique double mono, Classe A. Réduction de gain optique transparente, sélecteur "side-chain", "headroom" élevé +30dB , bruit minimisé -94dB, indicateurs VU gros format, entrées et sorties XLR balancées, alimentation externe.Mesure 2U.
 
Avalon  AD 2055
App 514-721-1518   
Égalisateur paramétrique double mono, Classe A.
"Headroom" élevé +30dB , bruit minimisé -94dB, filtre actif/ passif transparents, entrées et sorties XLR balancées, alimentation externe. Mesure 2U.
 
Avalon  AD 2077
App 514-721-1518   
Égalisateur paramétrique double mono Classe A.
"Mastering", Égalisation par incréments de 0.5dB, 1dB et 2 dB, 104 fréquences sélectionnables par canal, "headroom" élevé +30dB , bruit minimisé -94dB, filtre actif/ passif transparents, entrées et sorties XLR balancées, alimentation externe. Mesure 3U.
 
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