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One of the most famous tube microphones in the history of recording was the legendary AKG C 12. In spite of vast changes in microphone engineering, these microphones in good condition are still very much sought after and extremely expensive. Therefore, studio engineers vigorously demanded a rerun.
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* One of the most silent condenser microphones available today
* Up front sound in the mix
* Selectable cardioid, hypercardioid, and omnidirectional polar patterns for every recording situation
The genuine 1-inch dual-diaphragm condenser transducer with selectable cardioid, omnidirectional, and hypercardioid polar patterns will enchant you with its unique state-of-the-art sound.
Designed for miking up vocals, brass, acoustic and electric guitar, and kick drum, the C 4000 B can handle every recording situation. Exceptionally high headroom and extremely low self noise put the C 4000 B among the condenser microphones with the widest dynamic range available today and it will give equally excellent results in the studio and on stage.
A switchable 10-dB pre...
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AKG C414 B-XL II /ST (23222)
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The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 300 Hz to 8,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.
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With the introduction of the NeXt Generation C 414 B-XL models, AKG sets new benchmarks for useful features, improved technical specifications, ease of use and available accessories. All of these improvements are answers to requests from ever-demanding recording studios, broadcast stations and concert engineers, but with the basic sonic character of the legendary C 414 unaltered.
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AKG C414 B-XLS /ST (23219)
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The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 300 Hz to 8,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program.
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C 414 B-XL models, AKG sets new benchmarks for useful features, improved technical specifications, ease of use and available accessories. All of these improvements are answers to requests from ever-demanding recording studios, broadcast stations and concert engineers, but with the basic sonic character of the legendary C 414 unaltered.
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* Back-to-back large-diaphragm multi-pattern transducer
* True condenser technology
* High sensitivity and 155 dB maximum SPL capability
* Switchable 20 dB preattenuation pad
* Switchable bass cut filter
* Legendary, pristine AKG sound quality
* Complete with spider-type shock mount and aluminium carrying case
Perception 420 is a multi-pattern large-diaphragm condenser microphone for more demanding professional studio recording applications. Offering high sensitivity and 155 dB maximum SPL, the Perception 420 delivers a warm transparent sound quality ideally suited for ensemble recording, grand piano, woodwind and brass instruments as well as drums and percussion instruments. In addition, three selectable polar patterns - cardioid, omnid...
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* Two back-to-back one-inch large diaphragms featuring True Condenser Technology
* An ECC 83 dual-triode tube circuitry emphasizes even-order harmonics for rich, smooth and three-dimensional sound
* The elegant remote control unit allows selection of 9 different pickup patterns from omnidirectional to cardioid to figure 8
* The switchable bass cut filter (80 Hz, 12 dB/oct) reduces unwanted rumble or footfall noise
* A 20 dB attenuation pad enables for high SPL applications up to 155 dB
* Brush-finished, anodized Aluminium front plate and all-metal housing for maximum shielding
* A ground lift switch prevents unwanted hum if necessary
* Designed and engineered in Vienna, Austria
In 2005 AKG has launched the very first Perception mo...
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Multi-pattern Condenser Microphone . The versatile AT2050 provides consistent, superior performance in switchable cardioid, omnidirectional and figure-of-eight polar pattern settings. It offers a switchable 80 Hz high-pass filter and 10 dB pad and includes a shock mount & protective pouch.
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Multi pattern version of AT4047/SV . Side-Address Studio Condenser . Operates on 48V Phantom Power . Silver Color . Includes AT8449/SV shock mount, vinyl storage box and dust cover . -10dB pad switch, and switchable low cut . Multi pattern switch on front: Cardiod, Figure Eight, or Omni . FREQUENCY RESPONSE 20-18K. Available November, 2009.
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Multi-pattern studio condenser microphone with switchable cardioid, omnidirectional and figure-of-eight polar patterns. 48V phantom power. Transformerless. Includes AT8449 shock mount, dust cover and protective mic carrying case. "Transparent and airy, rich low end"
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Buttery, Rich, and Smooth... the BV-1 is "That" Mic!
There's good reason the BV-1 tube condenser microphone belongs to Avantone's "Buttercream B Series." It's because this microphone gives you that hard-to-describe buttery smoothness, professional richness, and sonically sweet and airy top end - it's a very surprising tube microphone when you consider its affordable price. The BV-1 is a perfect fit as a go-to vocal microphone, as it just exudes class, both in its appearance and in its response. Although, you'll love how acoustic guitar, mandolin, drum overheads, percussion, and piano sound through your Avantone BV-1.
Avantone BV-1 Large-diaphragm Tube Condenser Microphone at a Glance:
Rich and smooth response - "Buttercream B Series"
Primary pick for vocals, but a ...
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The Avantone "Cabernet (C-series)" mics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. The Avantone CK-7 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics...but at a fraction of their cost!
Our rugged CK-7 microphone body and capsule assembly are precision machined of brass. Aesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and capsule assembly. The transformer coupled Discreet Class A FET circuitry will yield pleasing professional results comparable to much more expensive designs.
The CK-7 houses a 35mm gold-sputtered thin Mylar capsule. The ...
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The Avantone "Cabernet (C-series)" mics are designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. The CV-12 is truly a gorgeous looking and sounding microphone. The design, character and performance is comparable to some of the fine vintage tube mics of the 1950's & 1960's.but at a fraction of their cost!
Our rugged CV-12 microphone body and capsule assembly are precision machined of brass. Aesthetically, it features an elegant Cabernet Wine-Red finish, accented with polished nickel trim and grill. The transformer coupled tube circuitry has its origins in famous European vintage designs. Any studio can proudly offer the CV-12 as a primary vocal mic.It exudes class visually as well as sonically. Manufact...
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The MC 840 is a extremely compact large diaphragm studio microphone with a gold vaporised double diaphragm and 5 selectable polar patterns (omnidirectional, wide cardioid, cardioid, hypercardioid, figure-eight). On the basis of the MC 740 microphone capsule this new microphone has been equipped with an improved low-noise pre-amplifier and an impedance transformer without transducer. Due to a two-stage roll-off filter (80 and 160 Hz) compensating the close miking effect and a two-stage pre-attenuation (-10 and -20 dB) the MC 840 is a superior microphone for any recording application. It has been designed without compromise to capture every sound detail with absolute clarity and purity. Applications for the MC 840 include
recording orchestras resulting in a superb transparent sound.
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Blue Microphones Bottle Rocket Stage1
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The Stage One is our most accessible Class A discrete solid state mic with a foundation for interchangeable capsules. Precision-designed and hand-assembled, the Stage One is crafted for a lifetime of use. Compared to similar microphones, the Stage One has a very low self noise specification (< 7.5 dB) and a very high output level (+12dBV), making it the perfect choice for today's high sample rate/deep word length digital platforms. Instead of integrated circuits (chips), the Stage One employs a transformless Class A discrete amplifier circuit to ensure the most accurate and noise-free signal possible, with minimal distortion and coloration. The Stage One is an ideal microphone for recording virtually any sound source. In addition to the microphone, the Stage One also includes custom spider...
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Blue Microphones Bottle Rocket Stage2
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Designed for speed and transparency, the Stage Two vacuum tube microphone's transformerless, Class A discrete tube amplifier circuit delivers low noise, superb transient response and utilizes a single hand-selected ECC88 vacuum tube. Like the Bottle, the Stage Two has the ability to hot-swap up to nine different capsules for the ultimate recording experience. The Bottle Rocket Stage 2 is powered by Blue's innovative Powerstream power supply, which not only ensures ultra-stable performance but features a soft-start feature for maximum tube life and minimal
startup time.
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Blue Microphones The Bottle
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The Bottle is Blue's flagship recording tool and its highest achievement in quality and innovation. The Bottle combines low noise and superb transient response integrated with a system of interchangeable capsules, the Bottle Caps. In an instant, the bayonet-mounted Bottle Caps can be exchanged to provide different tonal characteristics and pickup patterns while the included power supply remains on. The Class A discrete amplifier circuit of the Bottle is a thoroughly modern homage to the past, with a design utilizing a single hand-selected EF86 pentode vacuum tube in triode mode. The Bottle is the definition of craftsmanship, with hand-assembled custom components found throughout. With eight different Bottle Caps to choose from, the Bottle provides the ultimate recording experience for any ...
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Blue Microphones The Cactus
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The Cactus delivers a commanding, intimate presence with larger-than-life detail that is reminiscent of the world's finest and most well respected vintage designs. At a distance, the Cactus' B7 capsule delivers every nuance in the room, with finely focused resolution and clear, musical frequency response to the extremes of the audible spectrum. Up close, with its detailed highs and smooth midrange, the nine-pattern Cactus excels at delivering a vocal or solo track right to the front of the mix. The amplifier is a transformer-balanced single vacuum tube sub-miniature pentode in a triode mode, along with the highest quality hand-selected electronic components to insure absolute minimum noise and distortion.
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Blue Microphones The Kiwi
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Featuring Blue's world renowned B6 capsule, the Kiwi delivers the detail of its sonic signature all at once with lots of top end (without being too in your face!), along with lots of mids and bottom end, without being too forward. Designed to set the standard for solid state microphones, the Kiwi yields lush vocals, stunning acoustic guitar and gorgeous piano sounds from nine different polar patterns (Omni, Cardioid, Figure of eight and everything in between). This is the Blue microphone.
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Cascade Microphones Elroy Tube Condenser Mic...
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The ELROY tube condenser microphone features a unique shock-absorbing capsule design that eliminates the need for an external shockmount, thus the yoke adaptor. Triode-wired and fitted with a specially selected 6J1 tube, the Elroy ensures low noise and the warmth you are looking for. The included polar patterns are: cardioid, figure-eight and omni-directional which are available via a 3-position switch on the front side. And also included on the rear of the microphone is a dual position switch that controls the bass roll-off and pad functions. This large diaphragm tube microphone is capable of recording a wide variety of instruments and a many types of vocal ranges. Take advantage of the new ELROY; "best value on the market today".
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CharterOak CharterOak E700
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Lauten Audio Atlantis FC-387
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Lauten Audio Atlantis FC-387 at a glance
Designed to tackle any vocalist and much more...
Multi-voicing switch for three disctinct timbres
+10dB feature great for added presence
-10dB pad switch to tame loud sources
The perfect choice for both amatures and professionals
Cardioid, Omni and Figure-8 polar patterns
Multi-voicing capabilities
The voicing switch makes the Atlantis an extremely diverse microphone. The options are F (Forward), N (Neutral) and G (Gentle). Forward offers a very open response and very modern, revealing sound. Neutral is a more even response with slight de-emphasis on mid and high frequencies for a more classic sound. Gentle offers the ability to tame harsh, bright or very forward sources or for a v...
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The FC-357 Clarion blends classic and modern FET sound. It features a uniquely tuned frequency response that produces the smooth natural character found in classic FET condenser microphones with a touch of smooth modern airiness. What you get is a classic sound you will fall in love with. We paid careful attention to remove any harsh character often found in modern FET condenser microphones.
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Lauten Audio Oceanus LT-381
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Clear the air for big revealing sound. Visually stunning, the LT-381 Oceanus is a fantastic vocal mic. It's an original high-performance transformer-less tube condenser microphone that produces full and detailed recordings.
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LEWITT's LCT 640 is designed to raise the bar in its class of reference-quality large-diaphragm condenser microphones. This Austrian-designed and engineered pro-mic delivers a smooth, unsurpassably rich and exceptionally nuanced sound, and exhibits a remarkable set of qualities that enthuses even the most discerning users. The LCT 640 excels in a variety of demanding studio applications and stands for unrivalled performance in miking lead and background vocals, drums, percussion instruments, grand pianos, brass and woodwinds, classical music ensembles.
In addition to the standard omni-directional, cardioid and figure-8 polar patterns, the LCT 640 offers a wide-cardioid and super-cardioid characteristic. It offers a dynamic range of 135 dB and stands out for its extremely low self-no...
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LEWITT's LCT 840 is a premium-class externally polarized dual-diaphragm tube microphone designed to excel in a variety of demanding applications. Equipped with a precision-engineered 1-inch capsule, the LCT 840 stands for exceptionally warm and classic, solid vintage sound. Perfectly suited for miking vocals and instruments, this rugged multi-purpose microphone allows for highly nuanced and authentic sound reproduction in the studio and even on stage. Five switchable polar patterns - omni-directional, cardioid, figure-8, wide-cardioid and super-cardioid - make the LCT 840 a highly versatile tool for professional audio engineers and performers looking for true and authentic tube sound.
Like all LEWITT mics, the LCT 840 stands out for its extremely low self-noise of 9 dB and effective...
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Reference Class Tube/FET Microphone
Sound professionals naturally rely on a set of different high-end microphones in order to get the best out of their sound. But changing microphones and adjusting settings takes valuable time, the creative flow of a session is interrupted. With its new Authentica series flagship LCT 940, LEWITT now introduces a microphone that will revolutionize modern studio recording procedures and help engineers and artists to react more quickly to a desired change of style and sound.
The LCT 940 combines the specific characteristics of a premium large-diaphragm FET condenser microphone and a top-notch tube microphone in one housing. Basically, users can choose between the two main settings "FET" and "Tube". Yet the decisive factor here is that the LCT 94...
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Manley Gold Reference Multi Pattern Micropho...
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The MANLEY GOLD REFERENCE MULTI-PATTERN MICROPHONES are a statement, quite simply, of the finest microphones that money can buy in the pursuit of truly accurate musical recordings. The Gold Reference Series employ our own design of large capsules (1.25 inch overall, 1 inch diaphragm diameter) which are executed to precise tolerances made possible by modern micro-milling machinery available today in California. The capsule rings and back-plates are milled from solid brass.
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Manley Gold Reference stereo microphone
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The MANLEY GOLD REFERENCE MULTI-PATTERN MICROPHONES are a statement, quite simply, of the finest microphones that money can buy in the pursuit of truly accurate musical recordings. The Gold Reference Series employ our own design of large capsules (1.25 inch overall, 1 inch diaphragm diameter) which are executed to precise tolerances made possible by modern micro-milling machinery available today in California. The capsule rings and back-plates are milled from solid brass.
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