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* Two shotgun capsules in one, using two-part interference tube
* Ultra-low noise
* Long shotgun for recording from medium distances
* Short shotgun for video close-up recording
Two shotgun capsules in one, with quick and easy conversion from long to short shotgun applications, from hypercardioid to directional polar patterns.
In its long shotgun configuration, the CK 69-ULS will deliver perfect results for film/TV outdoor applications or indoor front of stage recording from approximately 6 to 8 m (20 to 24 ft.). If you unscrew the front half of the interference tube, the same capsule becomes a short shotgun for use in TV, film and video close-up work. Additionally, the short shotgun mode is ideal for interviews in noisy environments.
The CK 69-ULS ope...
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* Short shotgun for use in noisy environments
* Mounts directly on SE 300 B powering unit
* Quick-lock bayonet mount for easy connection to powering unit
The CK 98 combines high sensitivity and controlled directivity. It offers excellent reach, thanks to a very tight polar pattern and exceptionally low self noise. Small size and low weight make the CK 98 ideal for boom applications.
The smooth, wideband frequency response makes it a superb choice for edge-of-stage and ceiling placement in theaters. Includes foam windscreen.
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Line + gradient microphone, 18.3" long. XLRM-type output. Roll-off switch. 11-52V phantom power or 1.5V AA battery. Includes AT8405a stand clamp, AT8135 windscreen, battery and protective case.
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Line + gradient microphone, 14.5" long. XLRM-type output. Roll-off switch. 9-52V phantom power or 1.5V AA battery. Includes AT8405a stand clamp, AT8132 windscreen, battery and protective pouch.
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Line + gradient microphone, 6.88" long. XLRM-type output. 11-52V phantom power. RoHS-compliant. Includes stand clamp, windscreen and protective pouch.
Ideal for mounting on compact digital cameras.
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Line + gradient microphone, 11" long. XLRM-type output. Roll-off switch. Phantom power or AA battery. Includes AT8405a stand clamp, AT8134 windscreen, battery, 5/8"-27 to 3/8"-16 thread adapter, protective carrying case.
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Stereo shotgun microphone, 15" long. 5-pin XLRM-type output; 24" cable with two 3-pin balanced XLRM-type connectors at equipment end. Switch selection of non- matrixed M-S mode and two internally-matrixed left/right stereo modes. Roll-off switch. Requires 11-52V phantom power for each channel. RoHS-compliant. Includes AT8405a stand clamp, AT8135 windscreen and protective case.
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Stereo shotgun microphone, 9.3" long. 5-pin XLRM-type output; 24" cable with two 3-pin balanced XLRM-type connectors at equipment end. Switch selection of non- matrixed M-S mode and two internally-matrixed left/right stereo modes. Roll-off switch. Requires 11-52V phantom power for each channel. RoHS-compliant. Includes AT8405a stand clamp, AT8134 windscreen and protective case.
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Line + Gradient Condenser Microphone . Particularly useful for miking dynamic action in film/TV audio as well as in "spot" miking techniques in the music studio or theater, the 15.55"-long BP4071 provides a low noise floor and balanced output. Narrow polar pattern; switchable low-frequency roll-off; 10 dB pad.
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Line + gradient microphone. At 21.22" long, Audio-Technica's BP4071L is among the longest shotgun microphones on the market today. Extremely narrow polar pattern; crisp, intelligible audio reproduction; switchable low-frequency roll-off; 10 dB pad.
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Line + gradient microphone. Designed for use in broadcasting, film/TV production and theater sound reinforcement, the BP4073 sets standards in small size and light weight. With an overall length of just 9.17" and weight of just 3.5 oz, the mic adds virtually no heft to the end of a fish pole or the top of a minicam. Narrow polar pattern; switchable low-frequency roll-off; 10 dB pad.
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Reference Standard Shotgun Microphone with Lightweight (B) Preamplifier
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Reference Standard Shotgun Microphone w. Rycote Windshield with Lightweight (B) Preamplifier
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Shotgun Electret Condenser Microphone . Ideal for use with FR-2 or MR-8, MR-8HD, VF Series Digital Multitrackers . Wide Frequency Range . Low Distortion . Light weight (aluminum housing) . Changeable polar pattern (Cardioid/Super-cardioid) . 2 way powering (phantom / battery)
SPECIFICATIONS - Type: Electret Condenser Microphone . Polar Pattern: Cardioid / Super-cardioid . Frequency response (@ 1kHz/+/-10dB): 70Hz to 16kHz (Cardioid), 200Hz to 16kHz (Super-cardioid) . Sensitivity: -72dB +/-3dB (Cardioid), -55dB +/-4.5dB (Super-cardioid) . Impedance: 250ohm . Power: Phantom (9V to 52V), Battery (1.5V) . Dimension: 22mm(diameter) x 302mm . Weight: 150g
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Shotgun condenser microphone . Ideal for use with FR-2 or MR-8, MR-8HD, VF Series Digital Multitrackers . Smooth & extended on-axis response . Natural, clear and non-colorized sound . Useful for wide range of applications from ENG to location sound with VTR . Wide frequency response range . High sensitivity . Low distortion . Rigid but light weight copper body . +48V phantom power operation . Microphone adapter and a form wind screen as standard . Dedicated carrying bag as standard.
SPECIFICATIONS - Type: Back electret condenser microphone . Polar Pattern: Hyper cardioid . Frequency Response: 30Hz to 16kHz, +/-10dB . Sensitivity: -35dBV/Pa, +/- 3dB (17.8mV/Pa) . Rated Impedance: 200ohm . Equivalent Noise Level: 20dB . Maximum S.P.L.: 134dB (THD ?1% at 1,000Hz) . Dynamic Range: 114dB . Pow...
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006961 - Shotgun Microphone, Supercardioid, Lobe
Le KMR 81 est un micro canon doté d'une directivité prononcée, restant constante quelle que soit la fréquence dans l'angle de prise de son.
L'avantage est qu'une source sonore, par exemple un acteur sur le plateau de tournage, ne change pas de balance tonale lorsqu'il se déplace dans l'angle couvert par le micro.
Applications
Les micros canon sont particulièrement appréciables dans les situations d'enregistrement où il est impossible de placer un microphone à la distance désirée par rapport à la source sonore, afin d'obtenir un niveau de signal suffisamment élevé.
Les applications les plus répandues sont les tournages film et vidéo, où le micro ne doit évidemment pas apparaître à l'image.
Le KMR 81 a été conçu s...
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006878 - Shotgun Microphone, Supercardioid, Lobe
Le KMR 82 est un micro canon doté d'une directivité prononcée, restant constante quelle que soit la fréquence dans l'angle de prise de son.
L'avantage est qu'une source sonore, par exemple un acteur sur le plateau de tournage, ne change pas de balance tonale lorsqu'il se déplace dans l'angle couvert par le micro.
Applications
Les micros canon sont particulièrement appréciables dans les situations d'enregistrement où il est impossible de placer un microphone à la distance désirée par rapport à la source sonore, afin d'obtenir un niveau de signal suffisamment élevé.
Les applications les plus répandues sont les tournages film et vidéo, où le micro ne doit évidemment pas apparaître à l'image.
Le KMR 82 est très souv...
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Microphone canon "Shotgun". Fourni avec pochette, support pour pied de microphone & mousse pare-vent. Requiert alimentation phantome de 48v.
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Microphone canon "Shotgun". Fourni avec pochette, support pour pied de microphone et mousse pare-vent. Requiert alimentation phantome de 48vou une pile de 1.5v.
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Microphone canon "Shotgun" de qualité supérieure. Conçu pour résister aux climats extrêmes. Fourni avec tube de rangement étanche, support pour pied de microphone et mousse pare-vent. Requiert allimentation phantome de 48v.
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Microphone à condensateur pour caméra vidéo. s'accroche sur le sabot d'accessoire de la caméra. Fourni avec mousse pare-vent. Requiert une pile 9v.
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Sennheiser ME66/K6 COMBO (CAN108)
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Shotgun microphone system (incl.: ME66, K6, MZW66, case)
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Sennheiser ME66/K6P COMBO (CAN107)
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Shotgun microphone system (incl.: ME66, K6P, MZW66, case)
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Sennheiser MKH 416 P 48 U 3 (1511)
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Super-cardioid/lobar Short Shotgun Condenser Microphone
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Sennheiser MKH 418-S (5284)
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MS Stereo shotgun microphone
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Super-cardioid/lobar Short Shotgun Condenser Microphone
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Super-cardioid/lobar Long Shotgun Condenser Microphone
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